8/11/2023 0 Comments Landscape photo editor![]() The goal of any photo is to keep the viewer’s attention, and one of the easiest ways to do that is by removing distractions. This is a clear example of minimizing distractions near the frame edge. ![]() Those waves don’t visually grab your attention like the waves that crash on the rocks. Notice the subtle darkening of the crashing waves along the left side of the frame. For more natural-looking saturated colors, use the Vibrance slider. Limit the amount of saturation you add with the saturation slider as it can block up where the image is oversaturated. Maintaining balance also applies to color saturation. Landscape photographers usually don’t want them to distract from the scene. Also, when editing shots that include the sun, be mindful of lens flares. If the sun is not glowing, add a local adjustment layer and brighten it. Don’t let reflections, highlights, or anything else overpower the sun in the image. The sun should be the brightest thing in the photo. If you put the sun in the frame, remember to maintain balance. The sun is a brilliant, glowing ball of pure light. Recovering too much of the light and dark areas can make the photo read muddy or flat. When you make adjustments by hand, remember to maintain the balance of the original shot. ![]() And, it can make intelligent adjustments to the image tones with its auto feature. Exposure can easily bring back detail in areas that are too dark or light. Limit how much image data you recover from bright highlights or dark shadows. That contrast draws your eye to trace along the bottom of the scene and toward the subject in the center. Notice the brightest values in this image are adjacent to the darkest values in the bottom of the frame. Of course you can change the exposure value of an image in Exposure, but the less you have to “fix” the image, the more you can focus on applying creative edits. That means balance in composition, colors, and between highlights and shadows. Those adjustments can dramatically impact the composition of the shot.Īnother point to consider when selecting images to process is balance. Apply several cropping, rotating, or perspective corrections. However, don’t reject a photo before making a thorough evaluation. That change is even more impressive when those tweaks play off the original image’s strengths.įirstly, demand strong composition when selecting which photos to edit. Selecting a good image in the beginning can drastically improve the way it reads when edited. When choosing which shots to edit, use a few different criteria to evaluate them. All photos in this article © Andrea Livieri. It is clear to see the balanced qualities in the photo, specifically between bright and dark values. Strong composition, like the rule of thirds used in this photo by Andrea Livieri, is a good example.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |